What a day. What a finish for the workshop. What a great group of students . . .
Everyone went home tired and happy, myself included. Nobody lagged. And I’ve already heard back from many of the folks who took this class and it’s all been good reviews. I became a tad concerned on the second day I might be throwing out too much, too fast, but the general consensus was that all was fine.
In summation, what we covered in our three days was how to organize our lights and darks into two distinct masses (which inevitably creates a dynamic composition within the frame), how to keep any modulations within one mass from punching holes into the other, and how to use cool and warm color temperatures within a hue to reinforce the same. We also messed around with varied brushstrokes and light touches with the palette knife, and played with adding some alkyd/oil as a medium. The class didn’t feel quite ready to incorporate resins or wax into their medium yet. So perhaps we’ll explore those issues at a later date.
Here are some images from the last day, when I had a model throw a six hour pose. In reality, since I painted a demo of the model in the morning the group had about 3.5 hours to paint. (For the demo, I started off with my usual ‘pain-n-talk’ thing, so as to share how I progress through an alla prima painting, and the talking as expected slowed me down. So in the final 45 minutes of the demo I quit ‘splaining stuff’ and kicked into my normal speed so the group could see what happens when a painter works quickly. I heard later they felt this was real treat — to see someone paint as fast as that.)